1 Vale of
spirits 2 Your
tears drop from the sky 3 Apparition
no a moonless night 4 Black
phantom 5 A rose
bloomed
A sample can
hear that you click a title of a musical composition.
Produce by Holy Mountain
Distriduted by Revolver
USA Special thanks to Alan Cummings, Black Rose Photos by Yosuke
Kanekoo Record at Koenji U.F.O.Club (2005) Ogikubo Velvet Sun
(2005)
Suishou no Fune Pirako Kurenai (guitar,vocal) Kageo
(guitar,vocal)
Tail (drums) |
New album "Where The Spirits Are" of Suishou No Fune by label
Holy Mountain of American San Francisco started sale now.
Suishou No Fune's excellent new album, "Where the Spirits Are,"
will also be in stores on March 28, 2006. They are yet another astonishing
example of Tokyo's rich tradition of producing dark, avant-garde psychedelic
rock groups.
(Holy
Mountain San Francisco)
Formed in 1999 as a duo of female guitarist Pirako Kurenai and male guitarist
Kageo, Suishou No Fune have been making some of the most charmingly chaotic
dream music coming out of Japan. Their sound contains subcutaneous elements
of no-wave energy mixed with psychedelic rock a la early Fushitsusha or
Kousokuya. Other songs approach balladry with oddly beautiful twinned vocals
and distorted guitars. They have performed around Tokyo with a list of
people who could succinctly be described as everybody and were even invited
to play Scotland's Weekend festival in 2005.
(Midheaven U.S.A)
Brand new album from the best post
Fushitsusha/Rallizes underground rock group to chew Tokyo concrete in the past
few years. Pirakofs fabulously wayward vocal gives the whole thing a dramatic
edge of the void-style desperation, while the sublime octave-weighted fuzz moves
of second guitarist Kageo are so uniformly on the money that you feel like you
mustfve dreamt these solos in their entirety at least a buncha times. The
addition of drums to the basic dual guitar set-up gives the whole thing a
massive shot of forward momentum and the opening salvo is as great a blast of
liberated rock form as you could possibly hope for. The downer ballads function
to tip the whole picture further towards oblivion, with the somnambulant drug
haze of Pirakofs guitar leading the whole group headfirst into new regions of
breathless nada. Beautifully packaged in a textured dark blue sleeve, with shots
of the duo looking exactly like yr favourite wasted bikers, this is the fucking
TICKET youfve been looking for. Highly recommended.
(Volcanic
Tongue U.K)
Suishou No Fune are a Japanese three-piece whose approach to rock is slowly
to divest it of recognisable structure, peeling away at the formal qualities
of rock and leaving its bloodied innards exposed. The live recordings on
Where the Spirits Are offer snapshots of this process, opening with a blur
of free rock movement on gVale of Spiritsh, which navigates its way into
a rock song of sorts, over which Pirako Kurenaifs voice bobs and slides,
her soprano wail cleaving through the calamitous scaffold constructed by
Kageo on guitar and Tail on drums. When Suishou no Fune lose the drums,
their songs slowly slip free of any moorings, with Kageo and Kurenaifs
guitars blurring into a reverb-drenched, delay-soaked abstract machine.
These more abstruse songs are indefinite, their internal workings shrouded
and ghostly. Unsurprisingly, the group deal with supernatural and transitional
states: check titles like gApparition on a moonless nighth and gBlack phantomh.
Kurenaifs voice thus simultaneously becomes a manifestation of this encroaching
dread/unease and torchlight in the distance. By the final track, gA rose
bloomedh, the trio are reduced to a wilting, expired duo, the gorgeous,
coal-black threnody slowly compelling itself to close.
(by Dusted Reviews Jon Dale)
Holy Mountain have released the band's first U.S. album, "Where the
Spirits Are", and it's as fine a collection of sprawling, shadow-infused,
eerily cathartic psychedelic rock as you could desire. The dual-guitar
plus drums trio aren't in any hurry on these songs, which build ever so
slowly from quiet hum to torrents of guitar and wailing vocals. If comparisons
must be made, Suishou No Fune mine similar territory to Fushitsusha's calmest
moments and Mono's slower elements. Guitarists Pirako and Kage play through
multiple amps, but while loud they concentrate less on volume and more
on texture, filling every moment with sound. Drummer Tail isn't present
on every track, and when he is the drums help propel things but never take
over.
(Mason Jones) OngakuBlog - Music from Japan
Japan's most exciting new
underground psychedelic guitar group
Featured on PSF's recent Tokyo Flashback 5 comp and Durtro Jnana's 5xCD Not Alone benefit disc
For fans of Fushitsusha, Kousokuya and Les Rallizes Denudes
Holy Mountain (http://www.holymountain.com/)
Revolver USA / Midheaven (http://www.midheaven.com/)
For more
information,please contact (by
e-mail)
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